Lucas Lajoie, also known as Bunbitos, is a Canadian artist whose work is defined by movement. The kilometres ridden, the landscapes crossed, and a discipline grounded in sustained effort. His projects begin on the road, where cycling journeys are translated into painted form and become the foundation of his practice.

In recent years, Lucas has developed a distinctly authentic approach to art, shaped not only by where he travels, but by how these journeys are remembered and reimagined on canvas. From Norway to France, physical endurance becomes tangible, forming painterly archives of colour, texture, terrain, and the human experience. His work remains raw and expressive, guided by intention. 

This process ultimately culminated in a cohesive series at FOIL Gallery, marking a defining moment in his practice. Hundreds of Montrealers gathered to experience the work, undeterred by the rain. This response reflected the depth of connection Lajoie had built, an outpouring of support that now drives what comes next. 

Rather than settling into routine, Lajoie moves forward by returning to what has always guided his practice. The bike remains his primary source of inspiration.

“It was a medium, a way of moving, a source of inspiration, and a tool for shaping my practice.” 

He explains that each project begins again from zero, without a fixed outcome or structured plan. 

“I arrive at the end of the world with my bike, not knowing what comes next – but knowing I’ll create what comes next.” 

That uncertainty, rather than limiting him, sustains a process that remains honest, physical, and responsive. Lajoie resists being placed into a defined category. His work continues to evolve on its own terms.

After a brief pause, Lajoie plans to return to Australia, where he will spend extended time traveling and working across the country, with future projects unfolding in New Zealand, Peru, and Japan. Each destination will form a distinct body of work, shaped by memory, place and the cultural contrasts he encounters. Increasingly, his focus extends beyond landscape, toward the people he meets along the way.

Although his experiences abroad continue to shape his work, Lajoie has felt increasingly drawn back toward Québec. He feels a growing desire to reconnect with his roots and deepen his connection to his cultural foundations. In light of this growing pull towards home, after his time in Australia and other countries, Lajoie hopes to embark on a province-wide tour, tracing a path through his hometown of Saguenay, toward Charlevoix and across other parts of Québec. Returning to these routes offers a different kind of depth to his work – one centered on community and belonging. 

“It was a medium, a way of moving, a source of inspiration, and a tool for shaping my practice.” 

He explains that each project begins again from zero, without a fixed outcome or structured plan. 

“I arrive at the end of the world with my bike, not knowing what comes next – but knowing I’ll create what comes next.” 

That uncertainty, rather than limiting him, sustains a process that remains honest, physical, and responsive. Lajoie resists being placed into a defined category. His work continues to evolve on its own terms.

Whether abroad or at home, Lucas Lajoie’s work remains anchored in the same intention: to work with integrity and give something of lasting quality back to those who support him.

“ When someone supports or buys my work, I see it as a contract to make them proud.” 

This consistency defines his practice as a lifelong pursuit, one he knows he will always carry with him. 

In this sense, what’s next is not about reaching a definitive endpoint. It is about continuing – moving forward with confidence, openness and a deep connection to the people and places that shape his path. 

Photos of the trip courtesy of Lucas Lajoie.